Patrick Lafcadio Hearn (June 27, 1850 - September 26, 1904)

Also known as Koizumi Yakumo after gaining Japanese citizenship, was an author, best known for his books about Japan. He is especially well-known for his collections of Japanese legends and ghost stories, such as .

Early life
Hearn was born in Lefkada (the origin of his middle name), one of the Greek Ionian Islands. He was the son of Surgeon-major Charles Hearn (of King's County, Ireland) and Rosa Antonia Kassimati [1], who had been born on Kythera, another of the Ionian Islands. His father was stationed in Lefkada during the British occupation of the islands. Lafcadio was initially baptized Patricio Lefcadio Tessima Carlos Hearn in the Greek Orthodox Church.

Hearn moved to Dublin, Ireland, at the age of six. Artistic and rather bohemian tastes were in his blood. His father's brother Richard was at one time a well-known member of the Barbizon set of artists, though he made no mark as a painter due to his lack of energy. Young Hearn had a rather casual education, but in 1865 was at Ushaw Roman Catholic College, Durham. He was injured in a playground accident in his teens, causing loss of vision in his left eye.

Emigration
The religious faith in which he was brought up was, however, soon lost, and at 19 he was sent to live in the United States of America, where he settled in Cincinnati, Ohio. For a time, he lived in utter poverty, which may have contributed to his later paranoia and distrust of those around him. He eventually found a friend in the English printer and communalist Henry Watkin. With Watkin's help, Hearn picked up a living in the lower grades of newspaper work.

Through the strength of his talent as a writer, Hearn quickly advanced through the newspaper ranks and became a reporter for the Cincinnati Daily Enquirer, working for the paper from 1872 to 1875. With creative freedom in one of Cincinnati's largest circulating newspapers, he developed a reputation as the paper's premier sensational journalist, as well as the author of sensitive, dark, and fascinating accounts of Cincinnati's disadvantaged. He continued to occupy himself with journalism and with out-of-the-way observation and reading, and meanwhile his erratic, romantic, and rather morbid idiosyncrasies developed.

While in Cincinnati, he married Alethea ("Mattie") Foley, a black woman, an illegal act at the time. When the scandal was discovered and publicized, he was fired from the Enquirer and went to work for the rival Cincinnati Commercial. In 1874 Hearn and the young Henry Farny, later a renowned painter of the American West, wrote, illustrated, and published a weekly journal of art, literature, and satire they titled Ye Giglampz that ran for nine issues. The Cincinnati Public Library reprinted a facsimile of all nine issues in 1983.

In the autumn of 1877, Hearn left Cincinnati for New Orleans, Louisiana, where he initially wrote dispatches on his discoveries in the "Gateway to the Tropics" for the Cincinnati Commercial. He lived in New Orleans for nearly a decade, writing first for the Daily City Item and later for the Times Democrat. The vast number of his writings about New Orleans and its environs, many of which have not been collected, include the city's Creole population and distinctive cuisine, the French Opera, and Voudou. His writings for national publications, such as Harper's Weekly and Scribner's Magazine, helped mold the popular image of New Orleans as a colorful place with a distinct culture more akin to Europe and the Caribbean than to the rest of North America. His best-known Louisiana works are Gombo Zhèbes, Little Dictionary of Creole Proverbs in Six Dialects (1885); La Cuisine Créole (1885), a collection of culinary recipes from leading chefs and noted Creole housewives who helped make New Orleans famous for its cuisine; and Chita: A Memory of Last Island, a novella based on the hurricane of 1856 first published in Harper's Monthly in 1888.

Harper's sent Hearn to the West Indies as a correspondent in 1889. He spent two years in the islands and produced Two Years in the French West Indies and Youma, The Story of a West-Indian Slave (both 1890).

Later life in Japan

Lafcadio Hearn, shown with Setsu Koizumi and their first son. Note the way he is facing - he always preferred to be photographed this way so that his left eye could not be seen.
In 1890, Hearn went to Japan with a commission as a newspaper correspondent, which was quickly broken off. It was in Japan, however, that he found his home and his greatest inspiration. Through the goodwill of Basil Hall Chamberlain, Hearn gained a teaching position in the summer of 1890 at the Shimane Prefectural Common Middle School and Normal School in Matsue, a town in western Japan on the coast of the Sea of Japan. Most Japanese identify Hearn with Matsue, as it was here that his image of Japan was molded. Today, The Lafcadio Hearn Memorial Museum (小泉八雲記念館) and Lafcadio Hearn's Old Residence (小泉八雲旧居) are still two of Matsue's most popular tourist attractions. During his 15-month stay in Matsue, Hearn married Setsu Koizumi, the daughter of a local samurai family, and became a naturalized Japanese, taking the name Koizumi Yakumo.

In late 1891, Hearn took another teaching position in Kumamoto, Kyushu, at the Fifth Higher Middle School, where he spent the next three years and completed his book Glimpses of Unfamiliar Japan (1894). In October 1894 he secured a journalism position with the English-language Kobe Chronicle, and in 1896, with some assistance from Chamberlain, he began teaching English literature at Tokyo (Imperial) University, a post he held until 1903. On September 26, 1904, he died of heart failure at the age of 54.

In the late 19th century Japan was still largely unknown and exotic to the Western world. With the introduction of Japanese aesthetics, however, particularly at the Paris World's Fair in 1900, the West had an insatiable appetite for exotic Japan, and Hearn became known to the world through the depth, originality, sincerity, and charm of his writings. In later years, some critics would accuse Hearn of exoticizing Japan, but as the man who offered the West some of its first glimpses into pre-industrial and Meiji Era Japan, his work still offers valuable insight today.